Black Consciousness on the 3rd Stone from the Sun

Mastery

All that you see and hear within this society, reflects the values of that society; Simple as that. There is no tales of Dracula in Africa or Godzilla in Brazil. There are no legends of Dragons outside of Europe and Asia—and there is no stories of Leprechauns outside of Ireland. Some stories are symbolic, some allegorical and some esoteric but there is no art for art sake; They are well conceived ideas intertwined into folklore and used to cultivate behavior and values into its' constituents; As drama is used to enact social interaction, so that its' viewers may learn and cultivate such findings: Nonetheless stories, plays, movies and songs are strategic either social, political or economical. Folklore is often allegorical and symbolic to the ways and actions of a people and their culture: Take the "Fighting Irish Leprechaun" for example.

Movies in this society are made to teach of their values—not ours; but they can become ours, if we don't take a position in reference to what they deliver. Comedy is made to poke fun at other people's values—to establish what is inferior and what is superior: But according to who? Comedy also can be intimidating—because all things are done for a reason—never coincidental. Never lose track of that. Even watching for amusement is political; because all stories have plots and plots imply plans.

The plan the colonists had for us in Virginia were written into the colonist's story. History teaches us plainly that through series of political moves—a people who used to populate this entire North American landscape—got reduced to just two million by 1934. These plans included schemes about colonizing and pilfering lands in America: a land in which these perpetrators were not native of—and by 1849—the Europeans had taken most of the lands in North America; That is, accept for the reservations they reserved for its inhabitants—lands in which the natives found had very little raw material value: For if the reservations were discovered to have any valuable minerals or strategic advantages—those same lands would be taken back and it's inhabitants removed.

As you learned from our last encounter, colonization is an intentional jack move. Blacks and Browns were the target; symbolic to the prey for those European countries that wanted to expand their horizons. It is not hatred that promotes this conversation—it is an understanding of the chronological events that have transpired during the course of time in this country: The job was done so well, that most of us find it hard to conceive of a world outside of their dimensions or their dreams, schemes, plots and plans.

But there is nothing in these designs to benefit you—other than the "carrot and stick"odyssey; [process to keep the 'mule plowing and pulling'] and making us something other than what we are supposed to be: After all, who are the people who created the word and the personification of Nigger?

Through the Expansionist process, we have become slaves of mental death and power. We can hardly conceive of our previous world outside of Western dimensions or doing things the way mainstream prescribes. . . Why? Because during the slavery process, we were stripped of everything including our language—and forced into a show in which we didn't conceived; and in the past, when we stood up, we found ourselves and our hope at the end of a rope: Black Wall Street burnt to the ground. But that time has changed. . . You have to understand, power rich men in this country not only want to make money, they want control over everything that moves; They desire to make slaves out of all he can (both Black and White)—so that he may rob them all and live in luxury. Yet the acts of courageous men pushes us forward despite such odds. . .

It's not what you call me—but what and who I answer to. . .

So next comes the stories about MASTERY.

Thank you for all your considerations,

(I truly do appreciate you all greatly). . .